Just an idea.Ĭlassical stuff did this quite often, so it's not a new idea. If the song is in the fast part, it may be better to 'stop' at the end of it, and revert to the original tempo, rather than slow down. A drummer could do it - after all, a drummer can change the tempo a band plays at, even if he's not aware he's doing it. This would often be the vocalist, especially as he would be in front and in eyeshot of the rest of the band. With multiple performers, someone will have to conduct. When there's one performer - singer/guitarist, maybe, there's no problem, as he knows the acceleration rate. Others may or may not like it when it's grown up! However, the song is your baby to bring up how you like. It's unusual - listen to a hundred songs and you may well not hear this idea in even one. Many 21st century musicians who play very complicated music use click-tracks to help make sure they play the rhythms correctly, stay in tempo, and not get lost. If you're doing really complicated temporal modulations, I'd recommend click-tracks you can place in your ears. I would also work out some sort of visual signal from whomever is the "leader" to everybody else so that you know when to start / stop speeding up or slowing down. I would purchase a metronome so you can all practice agreeing on tempi. I would try (as a band) starting slow and then gradually playing faster, and then doing the reverse. As I said, I would practice double time -> half time, and then try different modulations. Who cares about disruptive? Make your music interesting if it's disruptive for them, that's their problem, not yours. Guidelines that should be adhered to in an effort to make this typeĬhange more effective or less disruptive (ie. I would start by practicing going between double time and half time and move on from there.Īssuming the negatives aren't prohibitive - are there certain If you don't read music, learning and incorporating this technique will be more challenging, but you should all be able to do it just fine. The next time you do it, it'll make sense to them.įor the musicians, really the only problem is making sure you all move at the same time, the same speed, and arrive at the same tempo. If a clarinetist can change tempo in an orchestra, a guitarist can change tempo in a song.ĭoes it pose any particular problems for either the listener or theįor the listener, they are a little confused at first (depending on the nature of the tempo shift) but unless you're doing it every two beats, which could be a little disorientating, the confusion quickly subsides as the listener then adds temporal shifts to their aural vocabulary about the piece. There are no good reasons to avoid this technique, band musicians are still musicians. However, this technique is extremely common in other forms of music. No, it is not a device commonly used in popular music. On modern popular music? Or is there a good reason to avoid this type Is changing tempo during the song and back again a common device used Is changing tempo during the song and back again a common device used on modern popular music? Or is there a good reason to avoid this type thing?ĭoes it pose any particular problems for either the listener or the musicians who must play the song?Īssuming the negatives aren't prohibitive - are there certain guidelines that should be adhered to in an effort to make this type change more effective or less disruptive (ie. Not a doubling or even a big increase, but a noticeable increase in tempo - before slowing back to the original tempo on the outro. But I would also like to increase the tempo from medium slow to medium. The intensity increases during this third verse and I can increase the volume on the instrumentation to convey an elevation of the intensity. Then there is a section after the bridge that can best be described as an extended third verse followed by an outro that repeats the opening chord progression a few times before the song ends. I wrote a song that could be classified as Pop or Country that starts out at a medium slow tempo in the first two verses and bridge.
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